Against the Tide

This story follows one of the last licensed commercial shark fishermen in the United States. Both policy and public sentiment are against David Stiller. There are places around the world where shark populations are critically struggling, but according to studies and anecdotal evidence from fishermen throughout the Gulf, populations across almost all species are more than thriving due to a focus on reversing extensive overfishing in the ‘70s and ‘80s that decimated numbers. Federal regulations have made it more and more difficult for commercial shark fishermen, who send hand-sourced meat to the food industry, to make a living.

The Gulf is a place of both comfort and unease. It’s a force that can be disturbed, can take different forms, yet never wanes in the confidence of its existence. When meeting the mouth of the Bay, their give and take changes them both. Feeds into and from one another. The brackish pass, confluence. It is now, was and will be past and present. Its shoreline undergoes constant reconstruction, molded by the water’s flow. A flow that’s etched into canyons and deltas and riverbeds the world over. The surface evolves. Shifts. Yet below, a heartbeat thrums. Undying. Unyielding. Its depths, murky and unknown to a simple human eye, cause fear and longing.

David feels that pull to the water. Time and time again putting himself, and his crew, at its mercy. Of all the elements, and the life below. The life he knows is reliant on it all. As it was for his father and his father’s father, so on since the 1890s. Like a bird’s migratory path, their experiences distilled over lifetimes have ingrained the skills in his DNA. The manual labor. The procedure. The laws and regulations. How to contend with the fervor that imagines a separation between animal and dinner. His knowledge is innate and learned.

The Raw Society aims to tell stories from a different perspective, true to the subject’s point of view. This is a story about people, their relationship to nature and the politics and emotions that define you either as outlier or outlaw.

About the budget

Each photographer determines their own budget, and if the objective minimum amount is reached, the photographer receives it in its entirety.
 
Micah’s budget is $1,500, which includes photographer fees, as well as post-production and writing time. Use of all images related to this project is free of charge in Raw Society’s magazine, website, social media and exhibitions.
 
He will produce the story for Issue V if at least 50% ($750) of the funds are raised by the 20th of May 2026.
 
If this fundraising goal is not met, funders will be given the option to either be reimbursed or to put the donation towards the production of the magazine.
 

© Steve McCurry

PRINTS for Nepal

UNTIL 27 SEPTEMBER
HASTA EL 27 DE SEPTIEMBRE

Following the devastating floods in Nepal, The Raw Society has brought together a special print sale to support affected communities as they recover and rebuild.

100% of funds raised will go towards flood relief and recovery efforts in Nepal.

Tras las devastadoras inundaciones en Nepal, The Raw Society ha organizado una venta especial de fotografías para apoyar a las comunidades afectadas en su recuperación y reconstrucción.

El 100 % de los fondos recaudados se destinará a las labores de ayuda y recuperación en Nepal.